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Another Conversation with Gemma New

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By David Fawcett

I spoke with the Hamilton Philharmonic Orchestra’s Music Director, Gemma New about the Intimate and Interactive concert which was to be presented that evening (April 5), planning concerts and the HPO’s 2018-19 season.

HPO Music Director Gemma New

DF: How did you choose the music for tonight’s concert?

GN: I look at many different factors like a jigsaw puzzle. Shaker Loops (John Adams) is a piece I’ve wanted to do for a long time. I’ve seen in performed in other places and I’ve seen how powerful it is. Throughout my life I’ve seen a ton of concerts and heard lots of music and I think, that was great and I want to bring this piece to Hamilton. And you have always to think, every city is different, has different needs, what sort of music the audience is going to be drawn to and appreciate.

First off we’re playing String Sinfonietta by Vivian Fung. Then Claude Vivier’s Zipangu. Both of those pieces are inspired by Balinese Gamelan music. The two halves of the concert come together in the fact that music inspires or creates an opportunity for the listener to transcend spiritually.

DF: I can see there are peculiar challenges here where you have an established audience of concert goers and you wish to interest a younger audience too. So you have two kinds of audiences.

GN: At least. Everyone reacts to music differently. You have to have an informed opinion of what you think is going to work. I sit in the audience a lot getting ideas. Shaker Loops was the beginning of this concert.

DF: How many concerts in the upcoming season?

GN: The same as this year. There are nine main stage concerts and we have two Interactive and Immersive concerts in March and May, We have two family concerts, and then we have the Literary Recital series and the Gallery Series.

In November we have the Remembrance Day concert. We like to alternate it between a more classical concert and the next year we do a more pops related. This year we’re doing music of Irving Berlin, George Gershwin and Scott Joplin. The Bach-Elgar Choir will be doing some favourite tunes, remembering WW I and the Golden Era of Jazz that came right after it. We’ve got a great singer, Doug Labrecque, who has performed with many major orchestras in the U.S. He’s really phenomenal and he’s funny and his voice is so strong and beautiful and he knows this repertoire inside out. I am so pleased we were able to get him here.

In the Holiday Concert we’re going to do Abigail Richardson-Shulte’s The Hockey Sweater (with Roch Carrier narrating) and we will also have the HPO Youth Orchestra on-stage performing with the full HPO.

We have a Tribute to the Beatles: With Love. It’s going to be close to Valentine’s Day. Darcy Heppner is the conductor and he’s bringing some special guests along. The concert last time sold out weeks before so we were anxious to bring him back.

DF: Do you have themes for other concerts?

I try to have a unified idea. Our community is diverse and I would like that, if you don’t know a lot about music or if you know a ton about music, you can relate to the program in some way. I like to combine the theme and the styles of music and the pacing of the program. All three of those things must work well.

The first two programs are about passion and drama in music. We have Beethoven and Mozart and Gluck and Elgar. They wanted drama and stories and this personal energy to come through in the music. So we’ve got the Leonora Overture #3 (Beethoven), the Elgar Cello Concerto (Cameron Crozman plays), and Brahm’s Symphony #1.

And then the next program is Gluck The Furies from Orpheus ed Euridice which is a scene from the opera in which the Furies say,”No, you shall not come into the underworld,” and he (Orpheus) is playing and singing this most beautiful tune and finally they listen. Beethoven was inspired by this to write the slow movement of his Fourth Piano Concerto and we have André Laplante playing it. Straight after then we have Antinomie by Jacques Hétu which I don’t know very well but our guest conductor Jacques Lacombe has specifically chosen it to fit in this program and he has a special relationship with Hétu and his music. And then Mozart Jupiter Symphony, #41.

DF: Thanks so much!

(Originally published on the author’s “Composer’s Notebook” website. Used with permission ~ editor)

Here are the listings for the Hamilton Philharmonic Orchestra’s Mainstage 2018-19 season.

October 20, 2018

Beethoven & Mozart
Jacques Lacombe, Conductor
Andre Laplante, Piano
Gluck: Dance of the Furies from Orphée et Euridice
Beethoven: Piano Concerto No. 4
Hétu: Antinomie
Mozart: Symphony No. 41 (Jupiter)

November 10, 2018

From Broadway to Tin Pan Alley
Gemma New, Conductor
Doug LaBrecque, Vocalist
Bach Elgar Choir, Guest Artist
Royal Hamilton Light Infantry Band, Guest Artist

December 15, 2018

Home for the Holidays: The Hockey Sweater
Gemma New, Conductor
Hamilton Philharmonic Youth Orchestra, Guest Artist
Roch Carrier, Narrator
Holiday Favourites

January 19, 2019

Glorious Bach
Ivars Taurins, Conductor
Stephen Sitarski, Violin
Lance Ouellette, Violin
Selections by J.S. Bach including Concerto for Violin, Orchestral Suite No. 3, and music from The Well-Tempered Clavier.

February 16, 2019

From The Beatles, With Love
Darcy Hepner, Conductor
Experience your favourite Beatles songs arranged for live orchestra in collaboration with Hamilton artists.

March 16, 2019

Debussy & Holst’s The Planets
Gemma New, Conductor
McMaster University Choir, Guest Artist
Debussy: Prelude to the Afternoon of a Faun
Debussy: Nocturnes
Holst: The Planets

April 27, 2019

Ravel & Stravinsky
Nathan Brock, Conductor
Stephen Sitarski, Violin
Rossini: The Barber of Seville Overture
Prokofiev: Violin Concerto No. 2 in G minor
Ravel: Tombeau de Couperin
Stravinsky: Jeux de Cartes

May 11, 2019

Mahler’s Fifth
Conductor: Gemma New
Vivier: Orion
Mahler: Symphony No. 5